Interactive Storytelling: From the Book of Genesis     

Keith Park 《British Journal of Special Education》2004,31(1):16-23

Keith Park, advisory teacher for Sense (the National Deafblind Rubella Association) in Greenwich and Lewisham, London, has written about his approach to interactive storytelling for BJSE before. This article describes a series of poetry workshops based on chapters 37 to 45 of the Book of Genesis (the story of Joseph and his family) using the text of the King James Bible of 1611. The workshops took place at Charlton School in Greenwich between September and November 2002. The full text of the Genesis workshops, with a clear exposition of their implementation, is provided here but the article begins with a restatement of the principles of interactive storytelling. The importance of developing curriculum access for pupils with multi-sensory impairments while simultaneously supporting staff who work with these young people in schools is emphasised. Keith Park discusses the relevance of the circle concept in storytelling and the strong focus, in the poetry workshops, on rhythm. He goes on to evaluate the impact of the workshops, both in terms of staff confidence and through examples of the pupils' responses mapped against the Qualifications and Curriculum Authority (QCA) framework for recognising the attainments of pupils with learning difficulties. The article concludes with some indications of further developments in this exciting and innovative area of practice.  相似文献   

谢灵运《拟魏太子邺中集诗八首》中的邺下之游     

孙明君 《陕西师范大学学报(哲学社会科学版)》2006,35(1):24-28

谢灵运的《拟邺中》以建安时代邺下诗人为模拟对象,成功地模拟了曹丕记忆中“欢愉之极”的生活。但是,在拟诗中的诸子放弃了各自的理想,安于享乐生活,且忽略了曹氏父子与邺下文士之间的矛盾和摩擦,这并不完全符合史实。邺下之游是存在于曹丕脑海中的完美记忆,而谢灵运却将它扩大为一个时代一个精英群体的集体性完美记忆。  相似文献   

《管子》经济类记事的文学透视     

耿振东 《山东教育学院学报》2006,21(2):55-58

《管子》中经济类记事的产生有一定的历史基础,它是商业发达的齐国,用自己成熟的经济理论内安朝政、外服诸侯的一种大胆设想。作为阐发经济思想的道具,它们具有明显虚构的性质。而且,这类记事存在着结构模式化的特征,经济思想表述中蕴含着诡异的情节。  相似文献   

滑雪旅游目的地差异化营销策略探讨   总被引：4，自引：0，他引：4  

曹继宏 《昆明大学学报》2006,17(2):72-74

滑雪技能水平与其社会人口统计特点交叉影响着潜在滑雪旅游者的市场需求强度以及旅游决策。本文从市场需求分析出发对滑雪旅游目的地的差异化营销策略做出了初步研究,指出滑雪旅游目的地只有找准市场定位,并通过有效的产品服务组合,树立和保持其良好的市场形象,并通过独特的渠道为潜在游客提供差异化的滑雪体验价值,才能进一步赢得市场的认同,实现目的地的可持续发展。  相似文献   

情—知互促教学模式在旅游英语教学中的运用     

陈晓兰 《江西电力职业技术学院学报》2004,17(3):68-69,72

探讨了中专学校旅游英语课程如何运用情—知互促教学模式的问题,提出了在教学中应结合旅游专业知识精心备课,活跃课堂气氛;创设情境,启迪思维,深化导游服务意识;情—知互促,和谐发展,培养学生创新能力;更新教学素材,丰富旅游知识,培养学生综合素质。同时指出了运用该模式教学应注意的几个问题。  相似文献   

“There’s nothing I hate more than a racist:” (Re)centering whiteness in American Horror Story: Coven     

Amanda Kay LeBlanc 《Critical Studies in Media Communication》2018,35(3):273-285

This article examines race and racism in the popular cable horror-drama American Horror Story: Coven. Centered around a feud between a white witch coven and a black, voodoo group of witches, Coven overtly deals with the issue of racism, but presents racism as a phenomenon contained in the past; something that does not happen anymore. Using critical post-race theory and scholarship on colorblind racism, whiteness, as well as black feminist theory, I show that although the narrative of Coven explicitly decries racism, it simultaneously invests in colorblind racist narratives and dialogue. Whiteness is central in Coven, operating through discourse that ignores racial difference and contemporary forms of oppression and erasure. Coven uses graphic depictions of violence against black bodies, makes explicit connections between black sexuality and animals, and uses exotic and aggressive stereotypes of black women to tell its story. Thus, Coven’s narrative both condemns racism and relies on it. This article shows that the contemporaneous presentations of explicit anti-racist dialogue and racist imagery work to (re)place whiteness at the center of Coven, a TV show that purports to forward a message of equality and justice for those who are different.  相似文献   

《紫色》:一部黑人女性的成长小说     

冯丽君 《商洛学院学报》2011,25(1):55-58

采用题材批评法,运用成长小说理论分析美国著名黑人女作家艾丽斯.沃克的代表作《紫色》中所具有的成长小说特征,探索这部小说的成长主题,以期证明《紫色》是一部典型的成长小说,从而为读者欣赏这部小说提供一个新的角度,同时为国内外学者对成长小说的研究特别是黑人女性成长小说的研究起到抛砖引玉的作用。  相似文献   

旅游景观形象设计审美性原则探讨     

黄艺农 《湖南师范大学社会科学学报》2003,32(3):116-120

旅游景现形象设计必须遵守三项审美性原则：一为形象性原则，即使形象具有具体性、生动性和可感性，从而具有丰富深刻的化价值和审美价值。二为悦情性原则，即按照美的规律使形象具有“美”这种本质属性，能激起人们的高尚情感愉悦。三为可持续发展原则，即使美的景现形象达到既要满足当代人需求又不危及后代人满足其需求的发展。  相似文献   

试论假日旅游经济及其健康发展     

汪德根  刘昌雪  陆林 《黄山学院学报》2002,4(1):47-50

假日旅游经济是我国旅游经济发展中的一个新的增长点。本文对假日旅游经济的涵义、基本特征及产生的背景进行了论述,并提出了科学调控假日旅游经济的若干对策措施,以期有益于促使我国假日旅游经济持续、健康发展。  相似文献   

那一天     

Eddie Glenn 《海外英语》2007,(3):30-31

When 1,000 words is worth a picture (or story) Every dog has his day.And evidently, so does every minuscule detail of modern society, including the cliché.Not to beat around the bush about it; we’ll just come right out and tell you that, as hard as this fact may be to swallow, today is National Cliché Day.  相似文献